Monday, 24 February 2014

Grave of the fireflies - Film Analysis



1.Explain about the theme and type of this film

              Grave of the Fireflies starts on an evening of 1945, Japan has surrendered themselves by the end of World War 2. The rest of the animated movie tells us in flashback, how the things have come to this tragic spot. The theme of the this film is war bout it mostly focus on the after effect of it, how the people survive  and what all horrible things they do to one another when there are limited resources .

 2.Note how camera angles, lighting, music, narration, and/or editing contribute to creating an atmosphere in this film. What is the mood or tone of the film?

               The lights are dim, the music is slow and most of the camera angles and scenes are short form a distance showing the destruction in the surrounded place. The mode of the move is sad as it shows the after effect of war and how are people copying with it.

3.Explain about camera angles, lighting, music, narration, character about that film.

            A teenage boy Seita and his four year old sister Setsuko lose their house and their mother during the air raid on their home town. They both start have to live with their aunt at her place. Seita refuses to do productive work because he wants to focus all his energy and strength to make the war bearable for his sister. After a fight with their relatives, they move out of their relative house to live a life of their own

4. What is the central message(s) of this film?

            I think the central message of the move is up to each viewer to decide.  Putting that aside I don’t imagine how one would watch this movie without having some kind of strong feelings. We most likely think of war and humanity in very different way. The grave of the Fireflies helps us to see the dark side of the world.
You are going to see people do terrible things...you're going to see terrible things happen to good people.  This film shows you just how sick the world can be, but the thing that really makes it stand out is that everything you see is believable.

5.Consider the effectiveness of the film in communicating its message. As a tool of communication, what are its strengths and weaknesses?

              The strength of the Grave of the fireflies however lies on the powerful imagery that it evokes in a person. A train in the sunset symbolizes the passage from life to death (later repeated by Miyazaki Hayao in Spirited Away). A quirky emptying box of fruit candies stands for disappearing hope and the gleaming little fireflies that die all too quickly are a symbol for the soldiers of the Japanese navy. In the end, the only thing that awaits them is a collective grave.
            The only weakness about the film the Grave of the fireflies is that it’s a Japanese animated cartoon and it’s hard for it to reach all over the world. I’m Pretty that hardly people in the Europe might even know that this film exists. 

6.How do you think the filmmakers wanted the audience to respond?

                I think the film makers want the audience to know about the tragedies and what all they face what all they had to do when their desire couldn’t match their requirements because of the lack of resources to take from. I have never seen a movie like this and I cried and I’m pretty sure not just me but who ever watch this movie cried as well. There's no giant monster to fight here.  There's no villain that the heroes have to take down.  This is a tale of the world we live in right now.  They wanted to show us that how everyday people can be pushed to their limits, which ends up changing their way of life.  Honest, hard-working folks can be scared into becoming cold, bitter shells of their former selves.  They show us how people will turn their backs on one another when it comes down to protecting themselves and their families.

7.Does this film appeal to the viewer's reason or emotion? How does it make you feel?

                       I've never cried so hard at a film before in my life.  There have not been many movies that made me cry at the end, but The Grave of the Fireflies really pulled out the inner emotion within.  It's a slow start as the movie rolls on, and we are just hit hard one after the other with bad situations that it's near impossible not to let loose with some of that emotion.  I could easily imagine some viewers crying throughout the entire movie.  It's definitely a tough film to watch, which goes to show just how amazing it is.

8.List two very important message in this film

1.Life is hard and does not always have a The Happy Ending. People make mistakes and it can have huge impact even if the mistakes are small. The boys pride got in the end, this cost him and his sister everything. 

2.People are blinded by their own problems and as a result of their selfishness, they lose their humanity. 


Bibliography

 (n.d.). Retrieved from www.rottentomatoes.com/m/hotaru_no_haka/
(n.d.). Retrieved from www.rogerebert.com/reviews/great-movie-grave-of-the-fireflies-1988
(n.d.). Retrieved from www.theguardian.com/film/2013/may/23/grave-of-the-fireflies-review
(n.d.). Retrieved from www.youtube.com/watch?v=_9WEyuMq0Yk
(n.d.). Retrieved from www.commonsensemedia.org/movie-reviews/grave-of-the-fireflies/user-reviews/kids
(n.d.). Retrieved from animeworld.com/reviews/graveofthefireflies.html


Monday, 17 February 2014

Animation Project

Story

  Starting at night... Batman is alone and looking out on the city, he knows something is wrong and he is looking for it...He hears a loud roar and goes to investigate it. He realizes something is following him and from nowhere the hulk tries to attack batman, somehow hulk has gotten into the DC universe and he starts smashing everything. Batman trying to fight him but he is no match so he Calls for backup superman and wonder woman are far away... but BOT3120 comes as soon as possible Batman tries to fight alongside but BOT3120 is no match for the hulk and, Batman played it smart as always, He knew at the moment they are not match to hulk wrath...so they both back off for now and try to catch superman... because he is the strongest and has a chance against the hulk’s might, so wonder woman and superman come back and have a meeting Batman explains everything and how to send hulk back to marvel universe..But when they all go to fight him... things go badly out of hand...wonder woman gets injured. Batman and BOT3120 are down.... superman loses his rage. Hulk and superman fight till the end because of which superman ends up killing the Hulk… the end...


 But wait another portal as opened near Hulk body and Ironman,, the end

Character Design

Superman

Batman

Wonderwoman

BOT3120 

The Hulk

Storyboard 













Animatic

Hulk running - test
           This was my very 1st attempt to have a better understanding of the frame rate and how i should movie my character. 


Animation

Tuesday, 4 February 2014

Animation :Review

Justice League War

           Justice league war is a animated movie production of Warner Bros, Produced by Sam Register, James Tucker and Alan Burnett , and directed by Jay Oliva. It is based on a Comic- Justice league: Origin (2011-12) by Goegff Johns, Jim lee and Scott Wlliams.

Cast
·         Sean Astin as Shazam
·        Zach Callison as Billy Batson
·        Michelle Monaghan as Wonder Woman
·        Shemar Moore as Cyborg / Victor Stone
·        Jason O'Mara as Batman
·        Alan Tudyk as Superman
·        Steven Blum as Darkseid / Cyborg's Armor (uncredited)

Review
  Justice league war is an enjoyable experience; taking place in a world thas has recently become familiar with the existence of aliens and super heros. Aliens Soldiers known as parademons working for Darkseid to take over the world
Visually, there is nothing to complain about the movie. The hero’s costumes are redesigned removing the underwear out. Superman costume redesign translates exceptionally well to animation, and Superman's powerhouse status is certainly no longer in danger. Whether or not you're into these current characterizations, all of them certainly look amazing.
If you have young kids and are concerned about violence and language, be aware there are a few curse words, someone gets called a whore, there’s lots of alien/monster dismemberment with green blood, there are a couple of scenes where a character screams in pain, and one scene has a character’s neck snapped just out of sight (The film is rated PG-13.). If you’re new to the DC Universe, this movie isn’t quite as good an intro to the Leaguers and their world as the comic it’s based on. There’s no explanation given for what Paradise Island is, how long the different heroes have been around, what Green Lantern is talking about when he mentions the Guardians and that he protects a “sector,” who Darkseid is and what his ultimate goals are, or why Wonder Woman, Flash and Shazam have powers. With recent live-action movies, GL, Superman and Batman may not need explanations, but the origins of the others aren’t as well known outside of comics.


          
Madagascar 3: Europe’s Most Wanted



           Madagascar 3 is a animated movie produced by Dreamworks Studio, directed by Eric Darnell, Conrad Vernon and Tom Mcgrath. The story is about 4 friends who are trying to get back to their houses in Central Park Zoo.

Cast

  •   Alex (Lion) played by Ben Stiller, 
  •   Marty (Zebra) played by Chris,
  •  Gloria (hippopotamus) played Jada Pinkett Smith 
  •  Melman (giraffe) By David schwimmer

Plot

        Alex, Marty, Gloria and Melman are still trying to get back to the Big Apple and their beloved Central Park zoo, but first they need to find the penguins. When they travel to Monte Carlo, they attract the attention of Animal Control after gate crashing a party and are joined by the penguins, King Julian and Co., and the monkeys. How do a lion, zebra, hippo, giraffe, four penguins, two monkeys, three lemurs travel through Europe without attracting attention and get back to New York? They join a traveling circus. Their attempts to get back to New York are consistently hampered by the Captain of Animal Control who wants to make Alex part of her collection. Once they make it back to New York Marty, Alex, Gloria and Melman realize that they want to be part of the traveling circus

Review

       Madagascar has high amount of energy in the movie; it keeps jumping from one character or set-piece to the next with absolutely no downtime in between. Madagascar 3 is all exploding colors with stuff constantly coming at you in 3D. As per usual, the centre foursome carry the story but aren’t particularly funny,Characters in this scene are Animals. Using the style and design of the character they perfectly portrayed. They used different shapes like circle, square, triangle etc… to create the characters and their costumes.To make the scene look more entertaining and fun, the scenes are lighten with different bright neon color shooting from different corners making different shapes and design while performing the circus. leaving the laughs to come from the ever expanding cast of secondary characters; original supporters Sacha Baron Cohen’s still brilliant King Julian (who falls in love with a bear, one of the film’s best side-plots), It’s a fun family time movie and every one will end the movie with a great experience and a big smile :D 

Friday, 31 January 2014

Animation :5 Artist

JIM LEE


Jim Lee (born August 11, 1964) is a Korean American comic book artist, writer, editor and publisher. He first broke into the industry in 1987 as an artist for Marvel Comics, illustrating titles such as Alpha fights and Punisher war journal , before gaining a great deal of popularity on The Uncanny X-Men. X-Men No. 1, the 1991 spin off series premiere that Lee penciled and co-wrote with Chris Claremont, remains the best-selling comic book of all time, according to The Guinness Book of World Records.
    In 1992 Lee and several other artists formed their own publishing company, Image Comics, to publish their creator-owned titles, with Lee publishing his titles through his studio, Wildstorm Productions, such as WildC.A.T.s and Gen¹³. Eschewing the role of publisher in order to return to illustration, Lee sold Wildstorm in 1998 to DC Comics, where he continued to run Wildstorm as a DC imprint until DC ended Wildstorm in 2010, as well as illustrating successful books set in DC's main fictional universe, such as the year-long "Batman: Hush" and "Superman: For Tomorrow" storylines. On February 18, 2010, Jim Lee was announced as the new Co-Publisher of DC Comics with Dan DiDio, both replacing Paul Levitz.

     Lee is known to use F lead for his pencil work.While inking his own pencils on Punisher: War Journal, Lee began using a crowquill nib for the first time.
In talking about the artist's work ethic, Lee has said, "Sometimes I wonder if we ever really improve as artists or if the nirvana derived from completing a piece blinds us enough to love what we have created and move on to the next piece. If we could see the work as it is, with years of reflection in the here and now, how many images would end up in the trash rather than on the racks?"





BOB KANE



Bob Kane (born Robert Kahn; October 24, 1915 – November 3, 1998 in New York City, New York ) was an American comic book artist and writer, credited along with Bill Fingeras the creator of the DC Comics superhero Batman. He was inducted into the comic-book industry's Jack Kirby Hall of Fame in 1994 and into theWill Eisner Comic Book Hall of Fame in 1996.Robert Kahn graduated from DeWitt Clinton High Schooland legally changed his name to Bob Kane at age 18. He studied art at Cooper Union before "joining the Max Fleischer Studio as a trainee animator in 1934"

He entered the comics field two years later, in 1936, freelancing original material to editor Jerry Iger's comic book Wow, What A Magazine!, including his first pencil and ink work on the serial Hiram Hick.In early 1939, DC's success with the seminal superhero Superman in Action Comics prompted editors to scramble for more such heroes. In response, Bob Kane conceived "the Bat-Man." Kane said his influences for the character included actor Douglas Fairbanks' movie portrayal of the swashbuckler Zorro,Leonardo da Vinci's diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Rinehart's mystery novel The Circular Staircase.


HARRY LAMPERT

Harry Lampert (November 3, 1916 – November 13, 2004) was an American cartoonist, bridge book author, and bridge teacher.
    Born in New York, Lampert began cartooning when he was sixteen years old, and worked for the legendary Max Fleischer, inking and helping produce Betty Boop, Popeye, and Koko the Clown cartoons. While stationed at Drew Field in Tampa, FL, he created Droopy the Drew Field Mosquito which ran in the Drew Field Echoes from 1942-1944. He began drawing comic books and he is best known in that field for being the artistic co-creator of the DC Comics superhero The Flash. Created in collaboration with writer Gardner Fox, the hero first appeared in Flash Comics #1 in 1940, but Lampert left the character after drawing only five stories, gravitating towards his preference for humorous work. He also drew the comic book characters "The King", "Red, White and Blue" and "The Atom". Lampert later went on to draw gag cartoons for Time Magazine, The New York Times, Esquire, and The Saturday Evening Post. He was also an instructor for the New York School of Visual Arts and founded the Lampert Agency, an advertising company which produced award-winning ads for clients such as Olympic Airways, Seagram, and the U.S. Virgin Islands.

    After his retirement in 1976, Lampert went on to write many instructional books on contract bridge. A Life Master and bridge teacher licensed by the American Contract Bridge League,Lampert spent years giving classes and working the cruise ship circuit teaching bridge to players. In the mid-1990s, Lampert became active in the comic book convention circuit, selling sketches and autographs and speaking about his famous comic book creation.
    Lampert died on November 13, 2004 in Boca Raton, Florida of complications from prostate cancer; he was survived by wife Adele Lampert, daughter Karen Akavan and two grandsons.


Ryan j Woodward


    Alejandro Pereira is a highly talented freelance artist with more than 7year of experience in film and animated series production. He focused his knowledge by mixing 3D animation and traditional sculpting. Eventually he narrowed down to only sculpting.
Alejandro studies anatomy and traditional sculpting in a self taught way while learning to use the interface of generalist 3D programs. Everything changed when he discovered ZBrush. The possibilities that the program offered were enormous, so it was only a matter of time and naturally he began to sculpt in Zbrush. Alejandro has worked with large number of licensors such as Marvel, Disney-Pixar, DC and universal studios.



 Ryan Woodward is an assistant professor of animation in the Department of Visual Arts at Brigham Young University. At BYU, he teaches Storyboarding, Animation, Gesture Drawing, Visual Development, and Business Practices. In addition to teaching at BYU, he has taught at the Academy of Art University in San Francisco.
   Woodward graduated from Newbury Park High School, in Newbury Park, California in 1990. He then enrolled at Ricks College in Rigby, Idaho (now Brigham Young University-Idaho). He graduated with an associate’s degree in 1995. Woodward worked for seven years in the animation and live-action film industry in Los Angeles, and then returned to school at BYU in 2003, where he completed his degree in Illustration. In 2006 he received a MFA from the Academy of Art University in San Francisco, California.
In 2003, he was awarded an Oscarson Discovery Grant which enabled him to present his comic book series at a convention in San Diego.
   Woodward has been a very successful professional in animation art . He was part of the EFX department at Warner Bros Feature Animation from 1995 to 2001. He created the storyboards for Ironman 2, where the Wild Things Are, and the Spiderman movies, among his many projects. He has also created award-winning short films that have made the film festival circuits. (At the end of this article, see his short film that has gone viral on youtube.com with well over 1 million hits.) In his professional career he has used his artistic talents in animation, storyboard creation, and concept design.
A personal project, including the short film below, was released at the beginning of 2011, and included a gallery exhibition of figurative works. The show, called Conte Animated, was shown at BYU in the Harris Fine Arts Center from January 20 to 28, 2011.





Reference
 http://pixologic.com/interview/alejandro-pereira/1/
https://www.facebook.com/AlejandroPereiraStudio

http://ryanwoodwardart.com