Film Theory
Film theory will be the shoulder place to
help self-discipline oneself in addition to allying together with critical
theory, that purports to help delve much deeper to the quality connected with
Cinema and provides all of us while using conceptual frameworks with the
knowledge of film’s connection to help fact, the opposite disciplines,
particular person audiences, in addition to contemporary society at large.
Film theory gives the
critical picture controversy by simply transforming the options for mastering
the picture in addition to examining picture. It is that portion that sets or
communities collectively to produce a sound, applying ingredients that contain
artwork, stunning skill, digital photography, and so on. Film theory in
addition to picture analysis have to have picture microfilm to confirm these
individuals since without having the item, it becomes difficult you just read
the theories in addition to history from the motion pictures and receive
virtually any cogent analysis. (global oup )
Character theory
A character theory is the setting for an
event and ideas of the spiritualists, such as printing or productions like
plays and films and electronic media text, It is useful in understanding media
by which the person can take on the character of an actor or social worker.
Character practices tend to be well-known
inside cinema scientific tests, academics theories and investigating
advertising along with the different attributes in which identify these people
in place could possibly double intended for good or perhaps damaging
assignments..
Film Narrative
A concatenation of outcomes in a
cause-effect relationship, passing off in time and place. A narrative is not a
random string of events. The narrative structure is distinguished as the
structure of the framework that underscores the manner and order of which a
narrative is shown to a spectator, reader or a listener. A narrative structure
of any type can be carved up into 3 different parts, which are referred as the
3-act structure: Setup, Conflict, and Resolution.
The narrative styles that use the basic
narrative conventions in different wars are referred to in different moments of
the film. The traditional narrative style of Griffith differs greatly from the
Eisenstein employs in his films that are based on the strong ideal of Soviet
montage. Similarly, other narrative styles can be found in German Expressionism
of French New Wave. ( Bordwell, David. Narration in the Fiction Film. Madison:
The University of Wisconsin, 1985. Print “Defining Film Narrative.”
Filmreference.com.Advameg, Inc., 2008. 13 October 2009)
Mise-en-scene
A French term that came from
the theaters, which means ‘’part in the scene ‘For films, it has
a bold meaning and refers to everything g that is put into a composition of the
shot, which includes composition itself, movements of the characters and
camera, framing, costumes, lighting, the environment, designing of set
even the sounds and music can give the compositions. (college film and media studies)
Mis-en-scène could be
given because the articulation connected with cinematic room, and it's
correctly room that it's close to. Cutting is concerning time period
supervision; the Shot is concerning precisely what is developing inside a
specific part of a defined room, bordered by way of figure of the flick display
and also identifying precisely what the actual digital camera continues to be
set up in order to document. (userpagers)
5 elements of mise-en scene
1. Settings and props
Locations and settings can act as an
authoritative role in the film making and are not just background. Models are
meant up at a scratch or even plenty of periods are invested to identify
suitable surroundings that will previously prevail in any part of the world.
Setting can help to the audience in building their imaginations and certain
expectations and then taking a different turn.
2. Costume, Hair, Makeup and Music
The Costumes, hair style
and makeup can contribute a visual picture as to which time and place the
character are from and the environment they belong to. The music can give a
sense of a serious situation or a fun situation.
3. Facial Expressions and Body Language
Facial expressions
offers people an obvious instruction regarding just how somebody is actually
experiencing for ovum Satisfied or unhappy or angry and so forth.
Body gestures could also
provide people while using indicator regarding what sort of persona senses to
yet another person or might reveal the state of the marriage by simply system
actions.
4. Color and Lighting
Coloration holds
specific associations that might add which means to your landscape. It could
give you a certain seem; sense as well as feeling for elizabeth. gary. A black
mild can provide a deeper second of the persona while a whitened can provide a
satisfied second.
5. Positioning of characters/objects within the frame
The venue within a
framework on the fibers plus the object could attract your focus
Cinematography
The word cinematography
comes form 2 Greek words ‘’kinema, which means movement’’ and ‘’graphein, which
means to record.
It is an artistic
production of producing a motion picture. A cinematographer is the person who captures
moving images on film. He helps to set up camera angle, tracking shots and
stationary shots, zoom in and zoom out, lighting, etc. (cinematography)
"There's something about Cinematographers, and the passion we bring
to our work, that gives us a sense of being blood brothers. We have a love and
admiration for each other, and a desire to help each other out"
Conrad Hall ASC, 2012
Bibliography
(n.d.). Retrieved
from global oup : global.oup.com/academic/product/film-theory-and-criticism-9780195365627;jsessionid=9C74FD0874C5D015876410B0D457B777?cc=my&lang=en&
(n.d.). Retrieved
from college film and media studies:
collegefilmandmediastudies.com/mise-en-scene-2/
(n.d.). Retrieved
from userpagers:
userpages.umbc.edu/~landon/Local_Information_Files/Mise-en-Scene.htm
(n.d.). Retrieved from cinematography:
www.cinematography.com
(n.d.). Retrieved
from www.princeton.edu/~achaney/tmve/wiki100k/docs/Film_theory.html
(n.d.). Retrieved
from myweb.wvnet.edu/~jelkins/film04/theory.html
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from www.slideshare.net/LauraaRobinson/propp-theory-7263597
(n.d.). Retrieved
from www.nettonet.org/Nettonet/Film%20Program/theory/psycho_theory.htm
(n.d.). Retrieved
from archive.org/details/theoryoffilmchar00balz
(n.d.). Retrieved
from www.medienabc.org/page5/page23/page41/page41.html
(n.d.). Retrieved
from facstaff.gpc.edu/~lbowen/Film/Film%20Narrative%20notes.htm
(n.d.). Retrieved
from www.slideshare.net/MatthewHartman/narrative-structure-redux
(n.d.). Retrieved
from www.theasc.com
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